The Nameless Horror

In Which I Have A Story To Tell You

Both literally and figuratively. The short short version is that if you visit this happenin’ place then you can start reading Murder Park. A new installment will go up every Monday and every Thursday until the whole story’s online. For free, gratis, zip, nada, for your enjoyment.

Then, and only then, will any full, complete, downloadable copy appear (apart from anything else, I’ll be polishing as I go, and I’ve yet to hear back from the esteemed Mr Quertermous, who’s kindly agreed to serve as editor, as to whether or not the later parts of the story are any good at all, so there might be some work to do on it before we get to those parts).

Received wisdom has it that a difficult-to-pigeonhole story needs time to find an audience. This way, it’ll get that time in a way it won’t if it’s instantly digestable and forgettable. Hopefully, anyway; it’s not as though I actually have any idea how it’ll go. I write short chapters and lots of them, so it seemed a good fit for regular serial form anyway. It’s also no secret I don’t like the current (and long-term unsustainable) self-publishing with Amazon model (or the contract terms Amazon use). This is a way to try to bypass the whole ugly mess and go direct to readers without relying on luck and x-thousand free downloads and reviews and all that shite. With the bonus that I can CC-license the thing (and everything else I’ve done, incidentally) to make it legal to share as much as you like.

If you have no idea what Murder Park is or why you should care, that’s cool. The whole story is on the project’s ‘about’ page. Essentially it’s a book I had to mothball at the two-thirds complete mark when my publisher couldn’t offer another contract for quasi-cyberpunk-thrillery-urban-weirdness because, no matter how much they loved it - and my editor knew it was a tough sell to start with, but liked my previous two novels enough to pay me for them anyway - it’s very hard to sell that stuff through stores. Stopping work on something when you’re that far in - and it’s good, too - is a real downer, so I picked it up again earlier this year to finish and get out the door.

Basically, give it a read and see if you like it or not. It costs you nought but a few minutes of your time. I won’t take offence if you think it’s balls.

(And while there are characters in it that may have appeared in earlier work, it’s not part of a series and it’s not a sequel to anything. It was always conceived as a standalone story.)

On a related note, there are some new old stories available in Ye Olde Fictione Shoppe and new editions of the couple of things that were there already (adding nowt, for those few of you who know them, but an updated afterword to AYLB, but throwing in the sequel fragment as a bonus to HBJC; the initialisations will make sense if you look). And matching the same redesigning effort that’s gone into everything else, sc.com has had a lick of paint and if you’ve not seen it I shunted my photography stuff into a sort of quasi amateur portfolio thing here a while back.

Uh… and that’s it! Go, read, enjoy, you lovely, lovely people, you.

Publishing is currently in a great position; it’s not yet up the creek without a paddle like the news industry, nor is it relegated to the sidelines whilst inventive young pups steal away its customers. It has room to manoeuvre but it needs to adapt, and now, not tomorrow.
@suw continues to be required reading: Publishers Must Adapt (Or Die)

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Honeymoon At World’s End - a -- . Weather was pretty grim while we were away on honeymoon/holiday (delete as desired bearing in mind we had both boys with us, one of them refusing to sleep). Made for some bleak shots, taken and edited in-phone. Enjoy.

Useful OS X Stuff: Resuminator

Useful OS X Stuff: Resuminator

Writers who already release their works under Creative Commons licenses – an alternative to copyright, which permits forms of reuse and reworking – do so for a variety of reasons, such as encouraging extracts and fan translations.

Over the weekend, and from the Observer of all places, an example of the bizarrely common misconception that Creative Commons licenses have anything to do with copyright. It’s a grant of rights to distribute/use/create derivative works from something with certain limits, and leaves copyright well alone to the original creator. I’ve seen authors get this wrong, usually when discussing piracy (“A license to steal copyright!” etc.), and it’s really not that hard to grasp. Grant of rights. Distribution/usage under given terms. That’s all.

Creative Commons does have its own ‘CC0' tool for releasing work to the public domain, but that's very rarely used (it was only through Google that I learned it even existed; I've only ever seen their regular licenses in play). Even then I'm not sure if it affects copyright; it may simply 'copyleft' the work like the GNU GPL.